My work is centered around spaces that contribute to creations of community, personal identity, and lived experiences.
My work over the last four years has been influenced by ideas of familial fragmentation, the disintegration of identity, and emotional disembowelment through means of experimental photographic and printmaking processes.
In such an internationally-connected—even globally-connected—cultural and financial center as Augsburg in the early sixteenth century, what is the importance of the sense of place and locality generated by its citizens and artists, and what might we learn by drilling down to the street-level of activity and interaction taking place there?
The 2022 MFA graduates will be hosting both physical and online exhibitions of their work beginning in April 2022. Check here, at Anchorlight Gallery, and at Lump Gallery for more information.
Please join us in celebrating the achievements of our outstanding students in the Department of Art and Art History! Each student will be giving a brief presentation of their Honors work in the past year. Refreshments will be served.
Join us to celebrate our graduating Studio Art seniors of Spring 2022 in an exhibition of their ARTS 500 seminar works! 19 Artists will have their work on display in the Hanes Art Center through graduation weekend.
Matters of Art: Materiality, Functionality, and the Agency of Art Objects Call for Papers: we invite abstracts of no more than 300 words for 20-minute paper presentations. Please submit your abstract and CV 5 PM EDT Sunday, July, 3, 2022
Go to the Honors in Studio Art webpage to find all information about applying for the Senior Thesis Honors Program in Studio Art. Questions? Contact Mario Marzan: mmarzan@email.unc.edu
Alexis Rockman (American, born 1962) created this dramatic series depicting historic sea disasters to explore the impact of transportation and migration – from goods and people to plants and animals – on our planet and its waterways.
Eva Wylie's current body of work aims to capture the movement, flow, light, and materiality of our evershifting environment. These works are produced by printing on translucent silk that is then stretched over painted frames to create delicate yet densely stratified pieces that float on the wall.
