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Faculty member Sabine Gruffat’s film screening at transmediale 2021-2022

January 18, 2022

Sabine Gruffat’s film “Moving or Being Moved” is screening as part of Transmediale at the Haus Der Kulturen der Welt in Berlin.

Transmediale Symposium

2022, Jan 28, Fri — 2022, Jan 29, Sat

What is the potential of refusal? What role do belief and compromise play in postures and acts of refusal? At a two-day symposium, transmediale 2021–22 explores the topic with an interdisciplinary program of lectures, panel discussions, performances and film screenings. Entitled for refusal, this festival edition of transmediale has progressed over the course of a year since January 2021. Together with the exhibition abandon all hope ye who enter here at the Akademie der Künste, the symposium at HKW forms the final part of the festival and, starting out from refusal as generative space, develops a pragmatic confrontation with its impossibilities. 

With AM Kanngieser, Antonia Hernández, Bassam El Baroni, Bassem Saad, Cassie Thornton, Cindy Kaiying Lin, Che Applewhaite, Distributed Cognition Cooperative (Anna Engelhardt, Sasha Shestakova), Donal Lally, Effi & Amir, Katerina Suvorova, Magda Tyżlik-Carver, Mary Maggic, Maya Indira Ganesh, Max Haiven, Nishant Shah, Olúfẹ́mi O. Táíwò, Patricia Domínguez and Nicole L’Huillier, Paolo Gerbaudo, Phanuel Antwi, Samir Bhowmik, Sabine Gruffat, Sasha Litvintseva and Beny Wagner, Tatjana Söding, Timothée Parrique, Xenia Chiaramonte, Zach Blas and others

Many Departmental Artists in Latest Nasher Museum Exhibition

January 18, 2022

Congratulations to our faculty (Lien Truong and Renzo Ortega) as well as our many alums (Saba Taj, Antoine Williams, William Paul Thomas, Meg Stein, Sam Hunter, Xiaowei Wu, and Ayla Gizlice) who are in the current show at the Nasher Museum! “Reckoning and Resilience: North Carolina Art Now” runs from January 13-July 10, 2022, so you have plenty of time to go see their work. You can get more information at the Nashers’ Exhibition Website.

Faculty member Sabine Gruffat’s videos part of Illuminate Raleigh Art Walk

December 1, 2021

Downtown Raleigh comes to light again this year with Illuminate Art Walk presented by Wake Tech. Parts of Downtown Raleigh’s Fayetteville Street and Glenwood South districts transform with large-scale, interactive and light-based art pieces that are unique and family-friendly. A highlight of this year’s month-long event is Chimes presented by Opendoor, an internationally recognized art piece that has traveled globally. Chimes will take over half of City Plaza in the heart of Downtown Raleigh. Installations shine nightly from December 3 to January 7. The art walk is free to the public and self-guided.

Sabine Gruffat has two videos included in the art walk, “Mountain” and “Amarillo Ramp” (with Bill Brown). You can find more information about them, as well as see the map of the art walk on the Illuminate Raleigh website.

Faculty member Jim Hirschfield public sculpture dedicated in Odessa, TX

November 30, 2021

In collaboration with Odessa Arts, First Basin Credit Union recently presented a new public art sculpture making its home at their headquarters in Odessa.

The formal dedication ceremony for the “Hadley Cell” art sculpture, designed and created by North Carolina artists Jim Hirschfield and Sonya Ishii, will be on display publicly and was lit for the first time on Nov. 18.

The commissioned work which was awarded in 2019 was selected from more than 100 artist submissions across the U.S.

The Hadley Cell sculpture consists of a 35’ vertical-column containing five graceful polyhedrons, or cells, extending 8’ at their widest point. The symbol of five stacked cells emulates a column of wind known as The Hadley Cell named after George Hadley. The Hadley Cell is a global scale tropical atmospheric circulation that features air rising near the equator, flowing poleward at a height of 10 to 15 kilometers above the earth’s surface, descending in the subtropics, and then returning equatorward near the surface. Hadley cells exist on either side of the equator. Each cell encircles the globe latitudinally and acts to transport energy from the equator to about the 30th latitude. At the latitudes of the tropics (30° – 35°) the once heated air cools and subsequently descends. Research revealed that Odessa, Texas is located at 31.8457° N and 102.3676° W in the area otherwise known as the horse latitudes.

The column transitions from green that imitates the shrubbery at ground level to blue meant to match the Odessa sky, it is noticeably see through the columns more ephemeral planer surfaces, embodying the sensation of wind. Observers can hear a relaxing hum of the wind gracefully moving through the stainless-steel wire panels purposefully used to give a transparent quality to the work. The transparent mesh exists to further enhance the calming presence of the always moving West Texas wind.

Hirschfield and Ishii have worked as a team for three decades, and as a team they have created a number of major public works of art.

Hirschfield teaches sculpture at the University of North Carolina at Chapel Hill where he was Department Chair of the Art Department for seven years. He has received a number of major grants and fellowships from both public and private foundations, including awards from the National Endowment for the Arts, the North Carolina Arts Council, the Graham Foundation, the Pollock-Krasner Foundation, Art Matters, and the Rockefeller Foundation. He has also exhibited nationally. Jim has had a long interest and history in public art, and had served as a member of the Public Art Network Advisory Council for six years. He also as authored or co-authored five public art master plans.

Sonya Ishii is as an artist who after studying art and then architecture, began working as an artist on one of the very early collaborative team transit projects in Seattle Washington. She too has received a number of awards, including two North Carolina Artist Fellowships. Together Jim and Sonya have created a variety of public art projects ranging from freestanding sculpture to sculptural environments. Together they have completed over 50 Public Art Commissions across the US and Canada that stretch from Seattle Washington to Fort Lauderdale Florida, and from Orono, Maine to Phoenix, Arizona, including five separate projects in the great state of Texas.

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Faculty member Joy Drury Cox in Group Show in Berlin

November 30, 2021

Inside Outside

19.11.2021 – 08.01.2022Vernissage 19.11.2021, 18:00

The occasion for this exhibition was an envelope that we received from France a few months ago. The sender did not give his name. The envelope contained 10 family photos, each pasted facedown with double-sided tape on white cardboards, and a small note with the following text:

«I have no talent for any artistic activity. Talent precedes the need to create. Without it, there is no satisfaction. Everything I started was abruptly stopped by the mediocrity of the draft and immediately destroyed, like a drawer that can only be opened from the inside. I recently attached the front of some old family photos to white cardboard with double-sided tape. Thus, only the pink paper remnants could be seen on the back of these photos. My mother detached them from two different albums and I inherited them after her death. These upturned photos are the sum of my failure. You will find them in this envelope.»Press text

Galerie aKonzeptNiebuhrstraße 510629 BerlinÖffnungszeiten:Di – Fr 15–18 UhrSa 14–19 Uhr+493022452703info@galerieakonzept.com www.galerieakonzept.comwww.raphael-levy.com 

Faculty Member Mario Marzan part of group show at Block Gallery

October 25, 2021

Block Gallery presents Abstracto/Latino: Latin American with an Abstract Fusion. The exhibition highlights Latinx artists living in North Carolina who are working in abstraction. The artists explore diverse art movements such as North American Abstract Expressionism, French Cubism, Russian Constructivism, and Japanese Shibui, without ever losing their Latin American roots.

Featured Artists: Fabrizio Bianchi, Lope Max Diaz, Georges Le Chevallier, Peter Marin, Mario Marzan, Nora Phillips, Natacha Sochat. 

The exhibit will be on view November 3, 2021- January 21, 2022- online and at Block Gallery.

Block Gallery is located inside the Raleigh Municipal Building 222 W. Hargett St. Raleigh, NC.  

Faculty member Lyneise Williams giving IAAR Faculty Fellow Presentation

October 25, 2021

Associate Professor Lyneise Williams will be speaking this Thursday, October 28, at 3 pm for a Faculty Fellow Presentation at the Institute for African American Research. The presentation will be via Zoom, and you can register at https://unc.zoom.us/meeting/register/tJAlfuihpzooE9E0FYgNz16KoaZdxxTh7aCQ. Williams will explore the ways notions of glamour, celebrity, and masculinity intersect with race, technology, and sports in “Model Athlete: Alfonso Teofilo Brown and the Construction of the Glamourous Black Athlete in 1920s Paris.” 

Faculty Member Sabine Gruffat in exhibition at Motorenhalle-Dresden

October 13, 2021

THE UPSHOT OF TRANS-AFFECTIVE SOLIDARITY

Act 1: Dismantling Individuality October 14, 2021 – March 6, 2022 MOTORENHALLE Centre for Contemporary Art Wachsbleichstraße 4a Dresden – Germany www.motorenhalle.de verein@riesa-efau.de Video evening: October 15 | 20:00 – 22:00 Participating artists: Mehraneh Atashi (Iran) | Evangelia Basdekis (Greece/UK) | Sabine Gruffat (USA) | Shon Kim (South Korea) | Marie-Claire Messouma Manlanbien (Ivory Coast) | Muriel Paraboni (Brazil) | Jhafis Quintero (Panama) & Johanna Barilier (Switzerland) | Ali Tnani (Tunisia) Curated by Kisito Assangni

THE UPSHOT OF TRANS-AFFECTIVE SOLIDARITY proposes to explore a new image of humanity capable of valorising solidarity and critical knowlegde coming from different contexts and cultures. The programme takes its title from what scholar Anne Garland Mahler calls “trans-affective solidarity” that relies on a metonymic color politics. An imagined transnational, transethnic, transracial, and translinguistic affective encounter in order to envision a more economically equitable, racially just, and human-centered world. The project presents work by 8 artists of diverse nationalities who provide an opportunity to reconsider how one can imagine another collective experience that would be capable of renewing our intersubjective ties in these uncertain times. THE UPSHOT OF TRANS-AFFECTIVE SOLIDARITY approaches its subject from a variety of perspectives, one of which involves the irresistible pull of intercultural meeting points and dreams around which people converge. Most of the works embrace a sense of reinvention and agency with the aim to shape various interpretative environments. They offer an expanded frame of reference that contributes to this heterogeneous engagement with video, film and the culture of solidarity these artists encapsulate. The programme is part of the exhibition Approximationen Derivate Surrogate curated by Denise Ackermann and Frank Eckhardt. About the curator: Kisito Assangni is a Togolese-French curator and consultant who studied museology at Ecole du Louvre in Paris. Currently living between UK, France and Togo, his research interests gravitate towards the cultural impact of globalisation, psychogeography and critical education. He investigates the modes of cultural production that combine theory and practice. He inherently aims at going beyond the usual relations between artist, curator, institution, audience, and artwork, in order to engage audiences in encounters with art that are unexpected, transformative, and fun. Assangni is heavily involved in video, performance, and experimental sound. His discursive exhibitions have been shown internationally, including at the Venice Biennale, ZKM Museum, Karlsruhe; Whitechapel Gallery, London; Centre of Contemporary Art, Glasgow; Museum of Contemporary Art, Sydney; Malmo Konsthall, Sweden; Torrance Art Museum, Los Angeles; Es Baluard Museum of Art, Palma, Spain; National Centre for Contemporary Arts, Moscow; Marrakech Biennale among others. Image: Eventide, Muriel Paraboni, 2016

Faculty member Sabine Gruffat juror and presenter at the Athens International Film and Video Festival

October 6, 2021

The Athens International Film + Video Festival
October 15-24, 2021
http://athensfilmfest.org/sabine-gruffat-in-person/

Back by popular demand, AIFVF returns this October with two years of incredible films. From October 15th – 24th, 2021 The Athens International Film and Video Festival (AIFVF) will present over 500 films in competition at the historic Athena Cinema in uptown Athens, OH. This year’s festival combines both the (originally postponed due to covid) AIFVF 2020 and AIFVF 2021 festivals and features an incredible array of special events and screenings.

AIFVF’s visiting artist lineup includes OU Film alumni and festival darling Tony Buba serving as the head of the documentary jury and presenting a selection of his works on Monday, October 18 at 7:00 PM. On Tuesday, October 19 at 7:15 PM, Amber Bemak and Nadia Granados, winners of AIFVF’s 2019 experimental top prize will present a solo program of their work revolving around queer love and loss, and the political ramifications of patriarchal, imperialist power. On Friday, October 22 at 7:30 PM, Sabine Gruffat will present her material driven works that cross analog and digital signals. Bill Brown will present a program of appropriated and reconfigured landscapes on Thursday, October 21, at 7:30 PM, with topics ranging from haunted houses and memorial architecture to outsider archaeology.

During the 10 days, over 40 feature length films and plethora of short films from across the globe will screen and compete in the annual festival with winners chosen by the independent jury, garnishing cash prizes and awards including Academy Qualifying status in select categories.

Founded in 1974, the Athens International Film + Video Festival has been presenting the best in international film for 48 years. Known globally as a festival that supports cinema from independent, underground, and marginalized populations, the AIFVF represents the values that we share as a community. It is a champion of justice and provides a voice for underrepresented artists and viewpoints on a global level. For over four decades, the AIFVF has embraced experimental, narrative, animation, short-form, feature length and documentary films from every corner of the globe. The Athens International Film + Video Festival is administered by The Athens Center for Film and Video, a project of the College of Fine Arts at Ohio University. This year’s festival takes place October 15-24, 2021, at the historic Athena Cinema in downtown Athens. The full schedule and ticket information is available at www.athensfest.org.