Truong’s art practice examines cultural and material ideologies and notions of heritage. Her work blends painting techniques, materials and philosophies, and military, textile and art histories; creating hybrid forms interrogating the relationship between aesthetics and doctrine. Her paintings have been presented in numerous exhibitions, including the National Portrait Gallery, North Carolina Museum of Art, Station Museum of Contemporary Art, Weatherspoon Art Museum, Oakland Museum of California, Cameron Art Museum, Art Hong Kong, Sea Focus in Singapore, Southern Exposure, Nhà Sàn Collective and Galerie Quynh in Vietnam. Truong is the recipient of a 2019 Joan Mitchell Foundation Painters and Sculptors Grant, fellowships from the Institute of the Arts and Humanities, the North Carolina Arts Council, the Jack and Gertrude Murphy Fine Arts Fellowships; and residencies at the Oakland Museum of California and the Marble House Project. Her work is featured in several publications including Art Asia Pacific, The San Francisco Chronicle, Houston Chronicle, Oakland Tribune, New American Paintings, and ARTit Japan.
Advanced Painting Projects