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In November of each year, the Studio Art Program holds a juried art exhibition for the scholarships and awards outlined below. Studio Art Majors wishing to participate may apply and submit work during the Department’s annual call for entries in the fall.

Dr. Lucia Anderson and her husband established this award to show appreciation to the Art Department for the classes offered by the Department of Art and Art History. The award money is to be used by a Studio Art undergraduate student to learn more about art by traveling or securing art supplies that the student could not otherwise afford. The Anderson is awarded at a minimum of $400.


2006: Kaitlin Rae Almirall
2005: Michael Jerch
2004: Lindsey Britt
2003: Molly Campbell
2002: Natalie Eason
2001: Patrick Currin
1999: Nathan Lankford
1998: Angela N. Britt
1996: Ann Gregory-Bepler, Mace Drouillard

Named for UNC-CH graduate and world-renowned fashion designer Alexander Julian, The Julian Prize is awarded to a student whose work exhibits a “high standard of design.” In selecting the winner of this prize, the faculty interprets the term “design” liberally as it relates to the appropriate consideration and integration of formal concerns and artisanship with the content of the student’s work. The recipient of this award is considered to be one of the Department’s best students and is honored at the Chancellor’s Awards ceremony in the spring.


2006: Jody Elizabeth Cedzidlo
2005: Jonathan Westleigh Harmon
2004: Estie Saunders, Brenna Katharine Murphy
2003: Claire Elisabeth Anne Hartman
2002: Bennett Taylor Dansby
2001: Emerson Christopher Carlton Holt
2000: Huong Ngoc Ngo
1999: Laura Lee Snoderly
1998: Paul Bardinas

This fund is named in honor of former UNC studio art painting professor George Kachergis and his wife, Joyce Kachergis. George Kachergis joined the art faculty in 1949 and taught in the Art Department until his death in 1974. Mr. Kachergis was a graduate of the Art Institute of Chicago and exhibited his work extensively. His paintings were included in Annual exhibitions at the Pennsylvania Academy, the Art Institute of Chicago, The Annual Exhibition of Contemporary Painting at The Whitney Museum of American Art as well as the American Watercolors, Drawings and Prints Exhibition at the Metropolitan Museum of Art in New York. This fund began as an initiative led by Professor Marvin Saltzman, who established an annual faculty and student art auction to raise money for scholarships. The students and faculty subsequently named the fund in honor of Professor Kachergis, and it has grown through generous donations, rather than through art auctions. Award recipients are selected by a student-designated panel. Students applying for this award should not be receiving University loans or financial aid. Up to three awards are made, and although amounts vary, none is less than $400.


2006: Jody Cedzidlo, Michael Jerch
2005: Courtney Kotsionis, Yulianna Ponce de Leon, Estie E. Saunders
2004: Alexis Adams, Michelle Bercovici, Kristin Robinson
2003: Alexis Adams, Meredith Lipscomb, Elizabeth Reynolds
2002: Jonathan Baxter, Leigh Suggs, Angela Salamanca, Ed Spooner, Shane McCormick
2001: Kat Parker, Lauren Adams, Jessica Lindsay
1999: Emily Clarke-Pearson, Emily Krueger, Stacey Kirby
1998: Paul Bardinas, Angela N. Britt, Timothy J. Sigmon
1996: Jennifer Ramsey, Babatola Oguntoyinbo, Jason Frank

The Penland School of Crafts is located in the mountains of Western Carolina and offers intensive two-week workshops in a variety of media throughout the summer. The winner of this scholarship receives funding to attend the workshop of her/his choice. Housing and meals are included. This award was created by the Penland School to support artists who otherwise could not afford to attend a workshop. Students receiving financial aid may apply. Students not receiving financial aid may apply by including a statement explaining why they could not afford to attend a workshop without this assistance. In their deliberations, the faculty will consider the seriousness students have demonstrated in their course work.


2006: Jennifer Elaine Wermig
2005: Ellie Snow
2004: Lindsey Britt
2003: Not given
2002: Jonathan Baxter
2001: Lauren Adams

Jonathan E. Sharpe, an alumnus of UNC-CH, established this award. Only students currently receiving financial aid through the Office of Scholarship and Student Aid are eligible for this award, as it is intended to allow a studio art major to undertake work that would not be financially possible using only the student aid allowance for supplies. According to University policy, however, the funding may be automatically applied to payment of outstanding bills, loans, or to replace direct aid grants. Award recipients wishing to use the Sharpe in addition to other financial aid will need to submit a budget in order to claim all funding. The Sharpe is awarded at a minimum of $500.


2006: Jennifer L. Parker, Jennifer Elaine Werming, Jessica Rae Theriault
2005: Jessica Largent, Kristin Pasley, Ellie Snow
2004: Lindsey Britt, William Harmon, Ginny Lam
2003: Jennifer Acree, Lindsey Britt, Molly Campbell, Claire-Elisabeth Hartman, Deborah Koling, Lindsay Pichaske, Brad Rolen
2002: Lauren Adams, Lindsey Britt, Claire-Elisabeth Hartman, Camellia Dawn, Morton, Brad Rolen, Jennifer Acree, Rebecca Crouch, Lily Bertram, Catalina Garreton, Maura Garcia, Meredith Neville
2001: Kwong Li, Jennifer Sabo, Alana Gettman, Camellia Morton, Christopher Holt, Autumn-Grace Dougherty, Kieshawn Kearney, Christopher Wretman, John Baxter
1999: Huong Ngo, Theresa McKeand, Daniel Shelverton
1998: Eric C. Bishop, Robert L. Chapell, Jack H. Edinger, Keilayn Skutvik
1996: Sarah Beddingfield, Jermain Moody, Teresa Maria Finch, Anthony Cervino


Students of the Department of Art and Art History may be eligible for a number of funding opportunities to cover or subsidize travel, research, and the cost of project materials. Award information and downloadable applications are available below.

Dear all,

I regret to inform you that this year’s John and June Allcott Undergraduate Travel Fellowship competition has been cancelled due to the current situation and travel ban. I am very sorry, and I hope that you will consider applying next academic year.

Be safe, and best wishes, Eduardo Douglas

The John and June Allcott Undergraduate Travel Fellowship enables two students–one in art history and one in studio art–to travel in pursuit of an independent, career-related project within the United States or Abroad.


Currently enrolled UNC-Chapel Hill Sophomores, Juniors, and Seniors* are eligible to apply, but preference may be given to majors in the Department of Art and Art History and to juniors. All applicants must have taken courses in the Department of Art and Art History. Students are encouraged to work with a faculty advisor in the Department in preparing their application.

*Seniors are eligible if they are returning for the fall 2020 semester.

Amount of the Awards:

Two fellowships of $3,500 each are awarded.

Terms of Award:

Applicants must be available for interviews at UNC-Chapel Hill on Monday, April 20th.

Fellows will be expected to:

  1. Be enrolled at UNC-Chapel Hill for the fall 2020 semester.
  2. Use the award during the summer of 2020 as described in their project proposal.
  3. Present a written and oral report in the spring semester (2021) after their return.

Basis for Selection:

The Department of Art and Art History coordinates a Selection Committee that will select finalists for interviews. The best candidates are those who indicate their interest in an independent study project that is tied to their personal and career aspirations. Motivation for travel-study as a learning experience and excitement about the project are also significant factors. Strong consideration will be given to candidates whose university records demonstrate academic rigor. Projects should be well-considered and researched for feasibility and cost factors. The Selection Committee will also take into consideration a student’s financial needs to pursue the project.

Application Process:

Application forms are available in the Department of Art and Art History Office, Hanes Art Center 101, or in the Undergraduate Policies, Procedures, and Resources section of the Department of Art and Art History web site.


Completed applications must be submitted to the Department of Art and Art History Office by 4:00 PM, Monday, April 13, 2020.

Depending on the number of applications, semi-finalists will be announced and contacted to schedule an interview with the Selection Committee. Interviews will take place on Monday, April 20.

For further information, contact:

Yulianna Aparicio
Department of Art Student Services

This fund provides supplemental monies for painting supplies for students who are hindered for economic reasons from working to their full potential. Any registered undergraduate with need, regardless of major, enrolled in a Department painting class during the fall or spring semesters will be eligible. Individual students are limited to one request per academic year. Subject to fund availability. Students should see their course instructors for further information. This fund was established by emeritus art studio professor Marvin Saltzman and his wife Jacquelyn Friedman.

Download Application

This fund supports summer undergraduate research in studio art and was established by a generous donation of R. M. Hanes in the name of Professor Emeritus James B. Gadson. Disbursed as part of the SURF program in the Office for Undergraduate Research, the fund provides for living and travel expenses associated with an approved project, stipends for graduate student mentors, and art supplies.

This fund supports both Studio Art and Art History undergraduate student research in the Department of Art and Art History. Research is broadly defined, and students may apply for funds to subsidize individual research or special group research projects that fall outside routine class work. This can include things like purchase of materials, travel to conferences or research sites, support for group or individual exhibitions, including rentals of exhibition spaces. Proposals may be submitted by individual Studio Art or Art History majors or official undergraduate student groups in the Department of Art and Art History. In general, to be considered for funding, projects are typically extracurricular, or beyond what might be normally expected for a class assignment. Projects might be exceptional in their scale and should have potential for lasting impact. Applicants must provide some explanation of their need. Petitions for funding are reviewed by the Undergraduate committees in Studio Art and Art History. Studio Art and Art History majors apply directly to the Director of Undergraduate Studies in their area. In addition, faculty can apply for Pearman funds to enable special projects associated with a class such as field trips or subvention for speakers if such projects relate directly to student-generated research. This relationship must be clearly articulated in the application. Applications are ongoing, and awards typically range from $100-$500, depending on available funds and demand. The fund was established by a generous donation of Herbert Brown Mayo in memory of his aunt, Beatrice B. Pearman.

Download Application



Art history major Katherine Lilley (2002-03) used the funds she was awarded to travel to Princeton University, where she studied depictions of Mary Magdalene from the tenth through the thirteenth centuries in Western Europe. At Princeton, Katie was able to access the Index of Christian Art, a photographic archive of Christian art from ca. 200 C.E. to 1450 C.E.

Valerie Bruchon (2002-03), a studio art major, traveled with a group of Professor Jeff Whetstone’s photography students to Kentucky. There, with the help of funding provided by a Rockefeller PACT grant, the students facilitated photography programs in local schools. When the group returned to UNC, Valerie used the Pearman funding she received to organize, edit, and print the 700+ images made by the students during the trip. The photographs were then exhibited in May, 2003, in Harlan, Kentucky.

Studio art major Deborah Dorland Bradley (2003-04) used the funding to develop and produce her Honors Thesis Project, “The Passion of the Mother,’ which through installation and performance explored the role of women in the world’s largest monotheisms: Islam, Judaism, and Christianity.