Category: Studio Art
Southern Culture August Issue Features BFA Alum Diego Camposeco
Former faculty member Jeff Whetstone has written a lovely article for the Southern Cultures August issue featuring the photography and writing of BFA Alum Diego Camposeco, who passed away in 2019. You can see the article abstract here: https://www.southerncultures.org/article/a-south-in-every-north/ (access to the article requires institutional access through Project Muse, via the UNC libraries proxy with an onyen login).
MFA candidate Minoo Emami featured scholar of Graduate School Diversity and Success program
MFA student Minoo Emami is the latest featured “Global Grad” on the UNC Graduate School’s website. Check out the interview here: https://graddiversity.unc.edu/2020/08/global-grads-featured-scholar-minoo-emami/
Alumna Alyssa Miserendino Virtual Talk with NC Museum of Science June 25
Discover the Art of Science – VIRTUAL
Join me in a journey of how I draw inspiration from research in physics, philosophy, psychology, sound, astronomy, myth, magic and poetry. I’ll talk about how art exploration through science and technology ignites transformation and imagination.
The Raleigh Arts Office will discuss the importance of cross-collaboration in public art within our community. Now more than ever, Raleigh is home to a creative community brimming in arts, culture, science, technology, and entrepreneurship – and they all connect.
We recommend using headphones to experience 3D sound recordings (binaural recordings) during the talk.
The event is in partnership with the Science Cafe series at the NC Museum of Natural Sciences. The event will stream on the museum’s YouTube channel.
Thursday, June 25
Join the event on the NC Museum of Natural Sciences’ YouTube channel here:
Copyright © 2020 Alyssa Miserendino, All rights reserved.
Our mailing address is:
Carrboro, NC 27510
Studio Update from Alumna Alyssa Miserendino
Happy Earth Day
I’d like to share with you, what makes my heart grow, during what I call the “lifting of the veil.” Celebrate this day, and everyday quite frankly, by giving where you can, and receiving where you need. Infinite abundance is all around us, and we are here to figure out how to share and receive it all, together. What will you seed, during our biggest opportunity yet, to come together? …and what will you let go of, that no longer serves you, that no longer serves us?
If your call is to seed more pause during this global shabbat, to understand the depth of sadness, of pain, of mortality, of ah-ha moments, of silence; then allow yourself to listen, just listen, and discern for yourself how to simply BE. Wherever we are is exactly where we are to BE.
First, is a new sound commission, titled Coancoan, named after the Cofán “trickster” spirit of legends, or what I call the “cosmic joke.” I recorded this during the first half of March, in the Ecuadorean Amazon. I am grateful to have made it home before flights were halted, with only 10 minutes to spare. I had little idea about what was happening while I was off the grid, but believe my spirit tends to place me into such experiences to share what is possible. This piece manifested during such a powerful time. The earth is quieter than it has ever been, during any of our lives, even on an infrasonic level – an opportunity to listen, to really listen. Both a 10 minute binaural excerpt of the 24-hour sound piece, and an impromptu conversation with Gordon Hempton are accessible on the project page, where we speak about listening, giving, taking, vulnerability and fear.
Second, a small team and myself continue to work on ode to Heisenberg + De Maria. I am thankful for the continued support in building this project (see credits half way down the project page). I don’t know how this piece will manifest, but my heart continues to create what I believe in. The spark of its creation was driven by the potential impact of understanding and the embodiment of non-linear time/networks – systems akin to fungi.
Third, is a commission, titled Plant Waves, which was created for the medicinal garden, at The University of North Carolina at Chapel Hill. I hope this finds you tending your internal gardens.
Last, I share with you a few favorite personal resources to help artists, the Cofán, Quiet Parks International and the estimated 16.7 million undocumented workers AND those living in mixed immigration homes, who will not have access to the CARES Act stimulus check, in the United States. If you can give or need to receive, click on logos below OR do a simple search within your community.
Let us write our new normal, together, so we can play on! …and to close out, written by a friend, a love letter from your fear, so as to “stop posing as divine creatures; decide to become them again instead…in a fluid and polycentric world.”
Envisioning our health, our new creations to steer us together and a deep connection to all potential that is within you,
Carrboro, NC 27510
Departmental Recipients of Chancellor’s Awards
Congratulations to this year’s departmental recipients of Chancellor’s Awards: Carolyn Bucknall received the Undergraduate Prize in Art History and Caroline Allen the Alexander Julian Prize. You can read their personal statements here: https://chancellorsawards.unc.edu/2020-recipients/
Paradise of Pleasure by alumnus Mike Keaveney at the ArtsCenter Carrboro
Opening Reception: Friday, March 13th
From 6:00 pm to 8:00 pm
Paradise of Pleasure
Photographs by Mike Keaveney
“That nothing last forever is perhaps our favorite thing to forget. And forgetting is the ruin of memory, its collapse, decay, shattering and eventual fading away into nothingness.” Rebecca Solnit, Storming the Gates of Paradise (Berkeley and Los Angeles: University of California Press, 2007) 254.
At the core of photography is a resistance to forgetting, decay and fading away. Each recorded image rips a moment from time in an attempt at preservation. However, with every exposure to light, air and time, images degrade, technologies become obsolete and context is lost. Leaving behind futile attempts at permanence, abandoned archives and outdated recording devices.
These forgotten archives and obsolete technologies become the raw materials for my practice. Through re-use, assemblage, erasure and digital manipulation I bring attention to photography’s ephemerality, our inherent need to record and preserve. In Halos of Happiness I collected and assembled found 4×6 landscape photographs. Using bleach as an erasure tool and varnish as a resistor, I manipulated them into representations of the state of the materials and the landscapes they represent. Fading archives, chemistry, and technology; baring traces of the past but deteriorating from every direction.
Photography mimics the entropic nature of the world it attempts to preserve, a site of transient moments and landscapes. Within the United States it is difficult to understand the landscape, no matter how many representations are made of it. It appears to have hidden its own history, traces dissolved and architecture demolished. Devoid of the romantic ruins of the past, what remains is a utopic fantasy of progression. Paired with photography’s ties to representation I create futile attempts at understanding a landscape vibrating in a constant state of creation and deterioration.
Exhibition runs March 1st-31st, 2020
Associate Professor Hồng-Ân Trương Video Piece On View at Block2 Gallery in Raleigh
4 single-channel videos, black and white with sound, 21 minutes.
Jan. 31 – March 22, 2020
On display every night from sundown to 3 a.m. and each First Friday
Exploring the history of French and American colonialism in Vietnam, these videos use found historical footage – all shot on or before 1954, the year that marked the end of French occupation but the beginning of U.S. involvement – to consider postcolonial subjectivity and nostalgia, and the uneasy division between the “mythic” and the “real” past. Playing with the notion that nostalgia can be evoked without memory or experience (but through the experience of images and the imaginary landscape of images), the videos suggest the co-dependent relationship between the West’s present and the Other’s desire for that present-modernity.
The archive is approached through the double, where colonial sound and scenes are mirrored against each other, split, and repeated. Bifurcated screens and juxtaposition become simple techniques whereby the “real” and by extension, its historical referent, are permanently deferred objects, further diminished through the overdubbed narratives in Vietnamese or French. Much of the footage suggests the impact of Catholicism, which, unlike the vestiges of colonialism left on the Vietnamese social landscape in the form of architecture, cuisine, and street names, instead marks the body: a transcendent and mystical stain made corporeal. The historical trace asks: What happens when the Other becomes a specter from within?
For address and more info: https://raleighnc.gov/places/block2-gallery
Faculty Joy Drury Cox Solo Exhibition at Asphodel in New York City
Joy Drury Cox
Prone and Plumb
March 5th – April 18th
Opening Reception: Thursday, March 5th
6 – 9 pm
Asphodel presents PRONE AND PLUMB, an exhibition of new graphic works by JOY DRURY COX, opening on Thursday, March 5 and on view through Saturday, April 18.
Please join us for the artist reception on Thursday, March 5 from 6 to 9 pm.
Prone carries the weight of physical pain—immovable, exhausted—often following a substantial expression of energy. Plumb, on the other hand, is upright, energetic—though ultimately enervating. In three new series of drawings, Joy Drury Cox represents this pair of semantic antipodes as palindromic conceptual drawings, exercising what the artist terms “line dialectics.” Cox’s interdisciplinary artistic practice includes drawing, artist’s books, texts, and photography. Her works consider mapping, making, measuring, and marking and their variables roles in the politics of labor and the structures of everyday life.
ABOUT THE ARTIST
Joy Drury Cox was born in Atlanta, Georgia, in 1978 and received a BA in English from Emory University and an MFA from the School of Art and Art History at the University of Florida. She has exhibited nationally and internationally since 2003 and is the author of three artist’s books: STRANGER, OLD MAN AND SEA, and OR, SOME OF THE WHALE. Most recently, Cox co-authored a photography book with her partner, Ben Alper, titled COMPOUND FRACTURES featuring photographs of caves taken in the Southeastern United States. Her works are included in private and public collections, including the New York Public Library and the Museum of Modern Art in New York. Cox is currently a Teaching Assistant Professor in the Art and Art History Department at UNC-Chapel Hill.
For more information on the artist, please visit joydrurycox.com.
20 Jay Street
Suite 837 (eighth floor)
Brooklyn, New York
Wednesday → Friday
12 → 6 pm
& by appointment
ASPHODEL is an art gallery and project space co-founded by Lisa Kahlden and Jason Loeffler in 2017. Previous one-person exhibitions include Nicholas Szymanski, Notes to Diane; Amy Vogel, fear-of-nature-of-fear; Vanha Lam, Variables; Clary Stolte, Nobody Knows; Jeff Kraus, My Bunny the Snake; Karl Burkheimer, aline; Heidi Schwegler, Zoonosis; and Anastasia Komarova, Material Control.
Asphodel gratefully acknowledges Anthology of Recorded Music, Inc. (ARM) for providing logistical and operational support for its 2020 exhibition series. Operating continuously since 1974, ARM’s imprints include New World Records, the Database of Recorded American Music, and Sound American. Recent releases include Kate Soper, Ipsa Dixit; Julius Eastman, The Zürich Concert; Christian Wolff, 2 Orchestra Pieces; and James Tenney, Changes: 64 Studies for Six Harps.
MFA Candidate Minoo Emami Art Exhibition as part of Iran Symposium at FedEx Global Education Center
Symposium: Revisiting Discourses of Love, Sex, and Desire in Modern Iran and Diaspora
Persian Studies Program at UNC-Chapel Hill Presents
March 28, 2020 Revisiting Discourses of Love, Sex, and Desire in Modern Iran and Diaspora
Including an exhibition of work by MFA Candidate in Studio Art, Minoo Emami, titled “Dystopia”
FedEx Global Education Center
This one-day symposium is an attempt to provide a safe space for public discussions of the nuances around discourses of love and desire in modern Iran, challenging and contributing to the dominant discourses on key topics. From their mundane to their sublime forms, love and desire have played a central role in various discourses in modern Iran. From romantic epics to ghazals, and from arranged marriages to white marriages, and from companionate love to contemporary cohabitations, desire is undoubtedly one of the most important theoretical topics for scholars. This symposium brings together a range of scholars from different disciplines focusing on modern Iran to analyze the wide variety of ways in which love and desire have been represented, imagined, and discursively constructed. Participants will address discourses of love and desire and revisit those discourses considering the implications that they have for larger theoretical debates. Selected papers of the symposium will be published in the book series titled, Sex, Marriage, and family in the Middle East, edited by Janet Afary and Claudia Yaghoobi, published by Bloomsbury. Other selected papers will appear as a special issue in the Journal of Middle East Women’s Studies.
Dr. Claudia Yaghoobi, Ph. D – Roshan Institute Assistant Professor in Persian Studies, for information about the symposium contact Dr. Yaghoobi at Yaghoobi@email.unc.edu
The American Institute of Iranian Studies, UNC Persian Studies Program, UNC Center for Middle East and Islamic Studies, the Department of Asian Studies, College of Arts and Sciences, Associate Provost of Global Affairs, the Department of English and Comparative Literature, the Department of History, the Department of Religious Studies, the Department of Women and Gender Studies, The Department of Geography, The Institute for the Arts and Humanities, UNC-Chapel Hill University Libraries, The Countering Hate Initiative
For more info: https://claudiayaghoobi.com/symposium-revisiting-discourses-of-love-sex-and-desire-in-modern-iran-and-diaspora/