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ARTS 490 One Day Installation and Public Sculpture Event May 5, 2023

May 1, 2023

By flood or fire, the land will take what it is owed


Public sculpture & one-day installation public event

By artists in ARTS 490: Art As Social Action
Hanes Art Center Sculpture Garden
May 5, 2-6pm

By flood or fire, the land will take what it is owed is a public sculpture as well as a one-day installation and public event centered around calling attention to and supporting the Stop Cop City movement, as well as broader themes of policing, abolition, and protecting the environment. The sculpture consists of a garden housed within a cop-car structure created using locally scavenged car parts, recycled materials, and thrifted items, constructed to look like a demolished police car. The garden is planted with native plants to North Carolina which will thrive year round. The one-day event includes a “Living Room” installation, a space and title that refers to the living space created and tended by activists who defended and occupied Weelaunee Forest. The program will include workshops, a letter-writing campaign, live music, and banner-making.

This project was conceptually inspired by the Stop Cop City Movement in the Weelaunee People’s Forest, envisioning a future in which Cop City does not exist, or has been reclaimed by nature. Native plants growing in the cop car symbolize nature’s resilience in the face of destruction. The work’s use of a police car not only suggests a destabilization of human dominance over the natural environment but asserts a critique of entrenched institutions of power through which the natural environment is subjugated for oppressive ends. The project’s status as a work of life, rather than just a work of art, through its entanglement with living plants, posits the existence of a reality where life is protected and enabled to thrive, rather than targeted and perpetually dismantled.

When we speak of abolition we refer to the dismantling of the carceral system in the U.S. and the construction of new systems, practices, and values that resist our present carceral logic. With abolition, we want to build a new world where we can rely on our community to protect and care for us. As abolitionists Ruth Wilson Gilmore and Naomi Murakawa once said, “abolition is about abolishing the conditions under which prison became the solution to problems, rather than abolishing the buildings we call prisons.”

With By flood or fire, the land will take what it is owed, we hope to create solidarity with the forest defenders of the Stop Cop City Movement in Atlanta, showing that the impact of Cop City will be felt beyond Atlanta. We want to remind everyone that the resistance to and destruction of our existing systems is necessary to our growth, much like how the plants are able to grow out of our destroyed police car.

By flood or fire, the land will take what it is owed is a class project created by students in ARTS 490 (Art as Social Action), an upper-level undergraduate studio art course focused on socially-engaged practices. Experientially in this class, students collaboratively discussed and created work that blurred the boundary between life and art, revealing an inherent political connection. Projects ranged from performance to sculpture.

Artists:
Timothy Anderson, Deja Boone, Alexis Breitenfeld, Marin Carr-Quimet, A Cook, Jacqueline Doyle, Delilah Eby, Molly English, Lauren Guillemette, Sergia Jimenez, Samuel Martin, Jennifer Nguy, Abby Pallant, Maya Rampel, Nina Scott-Farquharson, Audrey Keelin, Hồng-Ân Trương (faculty)

Background on “Cop City” in the Weelaunee Forest in Atlanta

The Atlanta Police Foundation has plans to build a police militarization facility, known as “Cop City” by protestors and activists, for urban warfare training for police. Cop City is planned to include a mock city for police to practice urban warfare tactics, military-grade training grounds, explosive testing areas, shooting ranges, and a Black Hawk helicopter landing pad, all of which will be built in the Weelaunee Forest. Called the “lungs of Atlanta” by city officials, the Weelaunee Forest is home to wetlands that prevent flooding and filter rainwater, and is also a breeding ground for regional amphibians and a migration site for wading birds. Over 380 acres of the Forest are set to be destroyed to build Cop City, which will deeply impact the health and biodiversity of the surrounding community. The facility is a $90+ million project, $60+ million of which is funded by over 40 corporations, including Coca-Cola and Home Depot, and $30+ million of which is funded using tax-payer dollars.

For further information and resources, please visit the following:
Local Organizations:
Durham Beyond Policing: https://durhambeyondpolicing.org/
Southerners on New Ground Bail Out Black Mamas: https://southernersonnewground.org
Prison Books Collective: https://prisonbooks.info/

Defend Atlanta Forest: https://defendtheatlantaforest.org/
Stop Cop City Solidarity: https://www.stopcopcitysolidarity.org/
Stop Cop City: https://stopcop.city/

MFA Candidate Group Exhibition at PEEL: A Tell Tale

April 10, 2023

A Tell Tale
Date: 14 April- 7 May, 2023
Opening Reception: 14 April, 6:00 pm – 9:00 pm
Closing Reception & Panel Discussion: 7th of May, 2:00 pm – 5:00 pm

This web we’ve spun is not a trap. Here are the telltale signs: life under highways and in gun clubs and in mountains shedding their names: food and food and food. This web we’ve spun is not a trap—it’s a cocoon. “Pull up the boards and you shall see,a tell-tale heart beats inside.

A Tell Tale is an exhibition of narrative artworks that speak emergently from our contemporary moment. Spanning a variety of mediums, the work of Mark Anthony Brown Jr, Molly English, Matthew Troyer, and Vera Weinfield seeks to explore, uncover, and interpret a range of experience, telling tales of what transformation is forming just under the surface.

PEEL Gallery
708 W Rosemary ST

Story about MFA candidate Matthew Troyer on UNC front page today

November 10, 2022

As part of their Veterans’ Day focus on student veterans at Carolina, UNC Communications produced this video profile of MFA candidate Matthew Troyer. Matthew is channeling his experience in the Marine Corps to create photography that shares the military experience with the civilian population and fellow veterans.

Multiple Faculty and Alumni featured in current Basement X Peel Group Exhibition

September 12, 2022

BASEMENT X PEEL

Fundraiser Exhibition Event

Opening Reception: Friday, September 9th at Peel.

Closing Reception: Saturday, September 24th at BASEMENT.

BASEMENT X PEEL will be on view at both BASEMENT and Peel from Friday, September 9th until Saturday, September 24th. Peel will host an opening reception and silent auction on Friday, September 9th from 6-9 pm, during the Carrboro, Chapel Hill 2nd Friday Art Walk, with refreshments in the parking lot and live music. BASEMENT will host a closing reception and silent auction on Saturday, September 24th from 6-9 pm with “A STANK/STINK Outdoor Happenings,” a performance art experience.

All work in the exhibition will be available for purchase via both traditional sale and silent auction during both receptions and during all open hours of the exhibition at both locations. All proceeds from sales will go to supporting BASEMENT and Peel programming.

BASEMENT Open Hours: 9/10 & 9/11 and 9/17 & 9/18 from 2-5 pm

BASEMENT address: 605 Caswell Rd. Chapel Hill, NC (stairs to BASEMENT on left of driveway)

Featuring work by Adriana Ameigh // Alissa Van Atta // Allison Tierney //Anna-Christina De La Iglesia // Ashlie Johnson Coggins // Ayla Gizlice David D’Agostino // Dawn Colsia // Emma Stevens // Fabrizio Bianchi // Georgia Paige Welch // Hillary Ensminger // Hồng-Ân Trương // Jean Gray Mohs // Jenn Adams // Jimmy Fountain // John Shaw // Jon Neal // Jonh Blanco // Joy Drury Cox // Jphono1 // Leah Foushee Waller // Madeleine Grace Popkin // Madison Speyer // Mark Allen Soderstrom // Mark Anthony Brown Jr. // Marsha Glickman // Matthew Tauch // Natasja Brezenski // Nathaniel Quinn // Paget Fink // Paul Deblinger // Peg Bachenheimer // Rachel Moon // River Cortes // Rusty Shackleford // Serena Fenton // Shelley Smith // Sterling Bowen // Tama Hochbaum // Toni Hartley // Tricia Russ // Gadisse Lee // Jiahn Kang // Lindsay Metivier

PhD Candidate Erin Dickey receives CASVA Twenty-Four Month Chester Dale Fellowship

May 16, 2022

The Department is thrilled to announce the award of a CASVA Twenty-Four Month Chester Dale Fellowship to our doctoral student Erin Dickey. This prestigious fellowship provides funding for a year of independent research and a second year in residence at the Center for Advanced Study of the Visual Arts at the National Gallery in Washington, D.C. Erin’s dissertation on the convergence of networked technologies and feminist art in the 1980s, focusing on the under-studied artists Judy Malloy (1942-), Nancy Paterson (1957-2018), and Karen O’Rourke (1951-) whose works probe the political and aesthetic processes underlying the “information age,” is supervised by Professor Cary Levine.

Congratulations Erin!

PhD Candidate Emily DuVall receives 2022-2023 Wilson Library Fellowship

April 22, 2022

Congratulations to Emily DuVall, who has received the 2022-2023 Hanes Graduate Fellowship (Rare Book Collection Fellowship) through Wilson Library at UNC Libraries. Her dissertation project is “Power and Possession: The French Conceptualization of Royal Space during the Reign of François I.”