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Alumnus Ripley Whiteside Online Exhibition at Red Arrow Gallery

June 21, 2022

Red Arrow is pleased to present Ripley Whiteside’s Polyethylene, an online exclusive exhibition opening June 17th and continuing through August 20th.

“For these paintings, I applied watercolor to paper through polyethylene matrixes: plastic grocery store bags and polyester dryer sheets. In spite of well-meaning efforts, most plastic is not recycled; tossed in a can but eventually buried in the landscape, much of it becomes visually inert. As a landfill, plastic becomes part of a grand chemical experiment, a long uncharted journey of disintegration and coalescence. How will the decomposition of these massively distributed, chemically complex objects shape their environment? These paintings imagine landscapes of that future.”

Ripley Whiteside was born in 1982 and grew up in Chapel Hill and Durham, NC. He received his MFA from SUNY-Buffalo in 2012, where he also taught foundations art courses, and his BFA from UNC-CH in 2008. He has participated in solo and group exhibitions in the US and Canada, and has been a resident at Willapa Bay A.I.R, The Peanut Factory, I-Park, and The Vermont Studio Center. His work is represented by Pierre-François Ouellette Art Contemporaries (Montreal) and Red Arrow Gallery (Nashville). He lives and works in Nashville, TN.

MFA Alumnus Michael J Bramwell appointed curator at Boston MFA

June 8, 2022

Michael Bramwell

Congratulations to MFA alumnus Michael J. Bramwell, who was recently appointed as the inaugural Linde Curator of Folk and Self-Taught Art at The Museum of Fine Arts, Boston! The creation of the new position is part of an initiative designed to reanimate and reimagine the MFA’s storied folk-art collection for 21st-century audiences, supported by longtime trustee Joyce Linde. Collaborating with fellow curators in the Art of the Americas Department and colleagues across the Museum, Bramwell will develop innovative exhibitions, collection displays and public programs—envisioning new ways to make folk and self-taught art accessible, relevant, and important to the lives of visitors. He will begin his new role on June 1.

Bramwell’s scholarship and research has explored the visual and material culture of the African diaspora in the American South from the 19th through the 20th centuries. He currently serves as Visiting Guest Curator at the Museum of Early Southern Decorative Arts (MESDA) in Winston-Salem, North Carolina, where he is organizing the exhibition House Party: R.S.V.P. B.Y.O.B. Bramwell has collaborated on exhibitions, workshops and visiting critic engagements with the North Carolina Museum of Art, MoMA PS1, the Schomburg Center for Research in Black Culture, Whitney Museum of American Art, and Maryland Institute College of Art. He has been awarded two Andrew W. Mellon Humanities for the Public Good Fellowships for his work at MESDA and the Ackland Art Museum. Bramwell is currently a doctoral candidate at the University of North Carolina at Chapel Hill, where his dissertation is focused on resistance in the art of enslaved potter David Drake. As a visual artist, Bramwell has been featured in a wide range of solo and group exhibitions, including at the MoMA P.S.1, Whitney Museum of American Art, and the Jack Tilton Gallery. His work can be found in the collections of the Davis Museum at Wellesley College, the New School University, The Studio Museum in Harlem, and the Schomburg Center for Research in Black Culture, among many others. He holds an M.F.A. from UNC Chapel Hill, an M.A. in special education from Columbia University and a bachelor’s degree from Oakwood University in Huntsville, Alabama. Bramwell’s work is supported by the Joan Mitchell, Andrew W. Mellon, and Pollock-Krasner foundations.
“As a practicing artist and academically-trained art historian, Michael Bramwell brings a distinct perspective to folk and self-taught art. His commitment to telling new stories and reaching beyond the canon promises to reenergize the display and interpretation of this material at the MFA. It is an honor to welcome Michael to Boston,” said Ethan Lasser, John Moors Cabot Chair, Art of the Americas.

The MFA has long collected folk art—broadly defined—in many genres, with notable strength in works made in the northeastern U.S. in the 18th and 19th centuries. Highlights include important paintings by Erastus Salisbury Field, William Matthew Prior and Rufus Porter, nearly 350 works on paper from the Karolik Collection, a significant collection of American quilts, and select examples of painted furniture and sculptural forms. The new Folk Art Initiative positions the MFA as a global leader in reinvigorating and rethinking a body of material that challenges narrow definitions of “what is art” and “who is an artist’—and creates space for the greater inclusion of voices, narratives and histories, offering a unique point of access and invitation to visitors. A cross-departmental team, which included curators, conservators and staff members from the Learning and Community Engagement division, developed a strategic framework for the Folk Art Initiative to evolve and unfold over the next several years. This collaborative process laid the groundwork for the MFA’s 2021 exhibition Collecting Stories: The Invention of Folk Art (generously supported by the Henry Luce Foundation), which explored the history and evolution of the term “folk art” by reconsidering works on paper and sculpture from the Karolik Collection.

With support for exhibitions, programs and interpretation, the Linde Curator will have the platform to galvanize colleagues across the Museum to think anew about folk art in the Americas and across the globe, and explore new ways to make the collection accessible, relevant and important to the lives of visitors today. Through the Folk Art Initiative, the MFA will place folk and self-taught art in dialogue with other art forms across disciplines—particularly contemporary art—integrate folk art into existing learning programs, and invite members of the Museum’s teen programs and community partners to offer fresh perspectives on interpretation and the stories told in the galleries.

Visiting faculty and alumni featured in upcoming OCAC show Home?

March 24, 2022

Visiting faculty member Renzo Ortega, MFA alumni Allison Tierney and Jonh Blanco, and friend-of-the-department Bob Goldstein are all featured in this upcoming group show from the Orange County Arts Commission.


The Orange County Arts Commission, in partnership with the Orange County Department of Housing and Community Development present HOME? An Artistic Exploration of Housing in the Triangle, which seeks to showcase “home” through the eyes and words of working artists.

The exhibit features 100 works of art by 54 Triangle-based artists and will be on view through April, 2022 at the Eno Mill Gallery in Hillsborough. 

The public is invited to a free Opening Party on Friday, April 1, from 6-9pm featuring:

About the Exhibit

In the Triangle, artists are considered to be fundamental to the quality of life and unique character of our communities, but they are one of the most impacted groups of rising costs of living, especially housing. To highlight this issue, the Orange County Arts Commission and Orange County Department of Housing and Community Development asked visual and literary artists living in Orange, Durham, Wake, and Chatham counties to respond to the following questions through visual and written works:

  • What does the idea or experience of “home” mean to you?
  • What has your experience of “home” been as an artist and person living in the Triangle?
  • Is “home” a place of comfort, safety, and warmth, or something else?
  • Is “home” positive, negative, or something in between?

Sixty-four visual artists submitted 148 works of art; 26 writers submitted 52 written works. Submissions were juried by panels of visual and literary artists. Works by 54 visual artists were selected for the exhibit and 16 writers were selected to read their submissions aloud during the opening event on Friday, April 1. 

Twenty percent of proceeds from work sold will be used to create an Emergency Housing Fund for artists in partnership with the Department of Housing.

Cosmic Rays Film Festival adds local exhibition at Peel Gallery

February 8, 2022

EVERYWARE: COSMIC RAYS DIGITAL
March 1-April 2nd, 2022
Peel Gallery
708 West Rosemary Street 
Carrboro, NC 27510
https://www.peel.gallery
https://cosmicraysfilmfest.com
Opening Hours Wednesday – Sunday 12-5pm
Closing reception: Saturday April 2nd, 2022 6pm-8pm

Artists:
Bassam Al-Sabah
Joelle Dietrick and Owen Mundy
Matthew Gantt
Claudia Hart
Jason Isolini
Shasti O’Leary Soudant 
Elly Vadseth & Boris Kourtoukov 
Richard Michael Haley 
Kristin Lucas

Live Audiovisual Performances:
Brent Coughenour
Governance (Quran Karriem and Rebecca Uliasz)

EVERYWARE: COSMIC RAYS DIGITAL is a selection of Virtual Reality (VR), Augmented Reality (AR), and interactive artworks by national, international, and North Carolina-based artists who critically engage with the new media technologies that surround us while investigating digital forms of privacy, identity, and nature.

“The Triangle is a growing technology hub and our region’s cultural art offerings should reflect the impact of emerging media technologies.”
– Sabine Gruffat

COSMIC RAYS DIGITAL celebrates artists working with emerging digital media technologies. It is a brand-new programming initiative of the COSMIC RAYS FILM FESTIVAL which is co-directed by local artists and filmmakers Sabine Gruffat and Bill Brown, and will take place from March 31st – April 2nd, 2022.

For more information, please visit www.cosmicraysfilmfest.com.

Press Inquiries:
For more information please contact:
Bill Brown and Sabine Gruffat
contact@cosmicraysfilmfest.com

Many Departmental Artists in Latest Nasher Museum Exhibition

January 18, 2022

Congratulations to our faculty (Lien Truong and Renzo Ortega) as well as our many alums (Saba Taj, Antoine Williams, William Paul Thomas, Meg Stein, Sam Hunter, Xiaowei Wu, and Ayla Gizlice) who are in the current show at the Nasher Museum! “Reckoning and Resilience: North Carolina Art Now” runs from January 13-July 10, 2022, so you have plenty of time to go see their work. You can get more information at the Nashers’ Exhibition Website.

PhD Alumna Shawnya Harris-curated show listed as one of Hyperallergic’s Best of 2021

December 9, 2021

Congratulations to PhD Alumna Shawnya Harris, whose exhibition “Emma Amos: Color Odyssey” at the Philadelphia Museum of Art was listed as one of Hyperallergic’s Best of 2021. Shawnya put together the first major retrospective for Amos, the only woman and youngest person to be invited to join Spiral, a New York-based collective of African American artists active in the 1960s and ’70s.

Openings for Alumna Alyssa Miserendino

October 5, 2021

Sound Circuits Opens in Lisbon

Eufonia Sound Circuits Lisbon

Eufonia is proud to present the second edition of Sound Circuits of Lisbon, taking place between: October 22 – 24, 2021 in the public spaces of Lisbon.

Location for Alyssa Miserendino’s work:
LOCATION ……….…… CALÇADA DE SANTO ANDRÉ 72 & 68
OPENING HOURS ….. 11 AM – 8 PM

This year, 9 sound installations and artistic interventions approach different public spaces, all within a radius of 2 km from Martim Moniz – a cultural crossroads in the heart of Lisbon. Each work of art is original and specific to the location.

ARTISTS:
+ Jaime Reis, Mariana Vieira e Marta Domingues
+ Adriana Sá & John Klima
+ Júlia Lema Barros
+ Mark Waldron-Hyden
+ William Phoenix Primett
+ Sofia Balbontin
+ Diogo Evangelista
+ Alyssa Miserendino
+ Pedro Castanheira

facebook: https://www.facebook.com/events/184742600351288/
linkedin: https://www.linkedin.com/events/soundcircuits20216848608876598726656/
IG: https://www.instagram.com/sound.circuits/

The University of North Carolina at Chapel Hill Unveils New Mural

Please join the gardening and ethnobotany in academia project for an

UNVEILING CEREMONY

To honor the mural created by Alyssa Miserendino for The University of North Carolina At Chapel Hill.

Remarks by Chancellor Kevin M. Guskiewicz
Wednesday, October 27th, 2021 3:45pm
 
The Health Sciences Library Garden
335 S Columbia St, Chapel Hill, NC 27599, United States

PhD Alumnus Michael Yonan helps inaugurate new journal Materia

June 30, 2021

Ph.D. alumnus Michael Yonan is one of the first contributing scholars to the new digital journal, Materia: Journal of Technical Art History. This biannual publication provides an online, open-access platform devoted to the technical study of art objects. Bringing together the disciplines of conservation, conservation science, art history, and related fields, Materia is among the first peer-reviewed publications dedicated solely to this steadily growing field of interdisciplinary research. You can start your first dive into reading Materia with Michael’s article, “Technical Art History and the Art Historical Thing.” Michael is Alan Templeton Endowed Professor of European Art 1600–1830 at the University of California, Davis.